Owl Masthead

The Rise and Fall of a Burgundy Hill Town

The Owl
Vol. 2, Issue 31
August 7, 2008
Baltimore, Maryland

Burgundy landscape
Burgundy has more to offer than hilly landscapes and earthy wines—a number of piquant stories from the region await you.
Photo courtesy of istockphoto.com
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Dear Inquiring Traveler,

Today The Owl takes you to Burgundy in France to visit a hillside village close to vines and farmland. Home to several religious communities, an art museum, and acting as a muse to many French writers, it has attracted visitors for over a millenium, and inspired thousands to undertake their own versions of the Grand Tour.

The village has been drawing tourists since the ninth century—though the reasons for their visits have differed through the ages. And Vézelay has not always been as peaceful or uncontroversial as it appears today.

Read on to find out how some bones started all of this.

Regards,

Catherine's signature
Editor, The Owl

P.S. By now it should be no surprise to you how much we love the Grand Tour here at The Owl ... the idea of traveling to Europe to complete one's education while having a whole lot of fun doing so! Not missing a beat we romantics at The Owl have carefully crafted an Essential Grand Tour that will take you to the places every serious Grand Tourist would have journeyed to—none other than the great cities of Paris, Rome, Florence, and Venice.

Should you share in our fascination for Europe's treasured destinations, we are delighted to offer you an early bird discount if you book by September 30th. So don't lose a minute and check out all the details of this exciting travel adventure! 

The Rise and Fall of a Burgundy Hill Town (part 1)

by Madeleine Zhang

Young gentlemen taking their time to travel to Switzerland from Paris before their final destinations of Italy or Greece could have stopped in the medieval village of Vézelay, 140 miles south east of Paris. After a few days’ rough travel by horse and coach on Roman roads and mud tracks, they would have been rewarded with the stunning views of emerald rolling hills and valleys from the top of the hill and the certainty of some rest and tranquil meditation before they continued on their long journey.

You can enjoy almost the same views today—little has changed in the region over the past millennium, apart from the main landmark atop the hill. This is the Mary-Magdalene Basilica, a site that has had more than its fair share of ups and downs.

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From small beginnings…

Originally built as a Benedictine abbey in the mid-ninth century lower down in the village, it had an inauspicious start when marauding Normans attacked and destroyed it.  Abbot Geoffrey decided to relocate, and had it rebuilt in its present more strategic position dominating the region at the top of the hill.

Mary Magdalence's relics
A reliquary holding one of Mary Magdalene's fingers in the crypt of the basilica. Photo courtesy of M. Zhang.
It was at about this time that what was claimed to be the body of James the Apostle was found in Compostela, northern Spain. This discovery started one of the longest running tours or pilgrimages in the world and established Santiago as the third main site for pilgrims after the Holy Land and Rome. A simple wooden church was built on the site where the Apostle’s remains were uncovered, later replaced by a grander stone building. The site grew swiftly in fame. And the craze for holy relics was on.

Relic crazy

The mania for bones, hair and nails swept through Christian Europe, each bishop wishing to create his own pilgrim attraction to gain more importance, prestige—and  funds—for his diocese. More than 1,000 miles away from Santiago, the abbot of Vézelay’s own ambitious dreams came true when, in around 882, a monk called Baudillon brought back relics of Mary Magdalene from the south of France. Mary Magdalene was said to have fled the Holy Land in a rudderless boat, landed miraculously in the Camargue near Arles, converted the locals, and believed to have died in what we now call St. Maximin.

By 1058 the Pope of the day had confirmed the relics’ authenticity and thus the abbey’s reputation was assured. By the end of the 11th century growing numbers of pilgrims were crowding the abbey to see the tomb of the saint. "All France," wrote the abbey’s most famous monk, Hugh of Poitiers, "seems to go to the solemnities of the Magdalen."

The Santiago Tour

Starting from Vézelay there are two distinct branches. One passes south-west through the book town of La Charité-sur-Loire, then goes on westward to the unusual cathedral town of Bourges—a UNESCO World Heritage site for its unique wetland within the city—Déols and Châteauroux. The other branch goes further south through the busy city of Nevers before continuing southwest to St. Amand-Montrond and La Châtre.

The two routes join in the village of Gargilesse and continue through the foothills of the Limousin, over the hills and valleys of the Périgord and the plains of Aquitaine and the Landes.  This route joins two other major routes from Tours and le Puy-en-Velay near Ostabat. The full route from Vézelay to Santiago is 1,056 miles. 
Housing such prestigious relics, Vézelay was a natural choice to become one of the four main starting points in France for the pilgrimage to Santiago in Compostela. The abbey’s name was by then indissociable from Mary Magdalene’s.

Blood in the basilica

Pilgrimages were big business (as Paul Lewis has pointed out in a previous issue), not only for the church, but also for local taverns and hostelries, as not all pilgrims could be fed by the abbeys. To give you an idea of the numbers involved, the collegiate church of Roncesvalles in Navarre was trying to feed up to 100,000 visitors a year at the end of the 12th century. Vézelay’s size and sphere of influence spread along with its newfound prestige and in 1096 Abbot Artaud decided that the abbey needed a new basilica.

The townsfolk and peasants were not as thrilled with this development as you might think, however. Even less so when they were asked to pay for the construction through crippling taxes—they rose up and murdered the abbot. The basilica was also ill-fated and the original nave was entirely destroyed by fire in 1120.

The next abbot, a certain Renaud de Semur was made of tougher stuff and set about re-establishing the abbey, building another basilica, and adding an abbey chateau (he later went on to become Archbishop of Lyon). Although the new Romanesque narthex has not survived and the choir burnt down, we can see today the first major Gothic choir that was designed to replace it.

From Darkness to Light

The basilica in Vézelay is a rare example of Romanesque architecture combined with Gothic. The nave and the narthex are typical of the Romanesque style in that the geometric forms of circles and triangles predominate, there are solid walls and relatively plain columns supporting the simplest type of vaultsthat is, barrel vaults, like tunnels, bearing the weight of 40 tons of stone. Natural light is used sparingly, drawing the faithful toward the choir, yet the windows are larger and higher than those in any other church of the period.

And the choir is startlingly different to anything seen before its constructiona later addition seemingly made of light and stone, with its elegant ribbed vaults and split arches soaring up. The choir is one of the first examples of Gothic architecturecompleted before the basilica in St. Denis or the cathedral of Sens, and a total departure from the solid earthy style of Romanesque constructions. Here the light lifts you as you draw near and you cannot help but feel wonderif nothing else at the sheer skill of those early builders who managed this feat of engineering hundreds of years ago.

The decoration of the columns, the typanum are worth your attention as well as the magnificent structure. If you are in this corner of France you should visit Vézelay for all this, not just the relics in the crypt that inspired its story.

 

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