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The Rise and Fall
of a Burgundy Hill Town
The Owl
Vol. 2,
Issue 31 August 7, 2008 Baltimore,
Maryland
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Burgundy has more
to offer than hilly landscapes and earthy wines—a number of
piquant stories from the region await you. Photo courtesy of
istockphoto.com. | |
Dear Inquiring Traveler,
Today The Owl takes you to Burgundy in France
to visit a hillside village close to vines and farmland. Home to several
religious communities, an art museum, and acting as a muse to many French
writers, it has attracted visitors for over a millenium, and inspired
thousands to undertake their own versions of the Grand Tour.
The village has been drawing tourists since the ninth
century—though the reasons for their visits have differed through the
ages. And Vézelay has not always been as peaceful or uncontroversial as it
appears today. Read on to find out how some bones
started all of this.
Regards,
 Editor,
The Owl
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P.S. By now it should be no
surprise to you how much we love the Grand Tour here at The
Owl ... the idea of traveling to Europe to complete one's
education while having a whole lot of fun doing so! Not missing a
beat we romantics at The Owl have carefully crafted an
Essential
Grand Tour that will take you to the places every
serious Grand Tourist would have journeyed to—none other than the
great cities of Paris, Rome, Florence, and Venice. Should you share in our fascination for Europe's
treasured destinations, we are delighted to offer you an early bird
discount if you book by September 30th. So don't lose a
minute and check
out all the details of this exciting travel
adventure! |
The Rise and Fall of a Burgundy Hill Town (part 1)
by Madeleine Zhang
Young gentlemen taking their time to travel to
Switzerland from Paris before their final destinations of Italy or Greece
could have stopped in the medieval village of Vézelay, 140 miles south
east of Paris. After a few days’ rough travel by horse and coach on Roman
roads and mud tracks, they would have been rewarded with the stunning
views of emerald rolling hills and valleys from the top of the hill and
the certainty of some rest and tranquil meditation before they continued
on their long journey.
You can enjoy almost the same views today—little has
changed in the region over the past millennium, apart from the main
landmark atop the hill. This is the Mary-Magdalene Basilica, a site that
has had more than its fair share of ups and downs.
From small beginnings…
Originally built as a Benedictine abbey in the mid-ninth
century lower down in the village, it had an inauspicious start when
marauding Normans attacked and destroyed it. Abbot Geoffrey decided
to relocate, and had it rebuilt in its present more strategic position
dominating the region at the top of the hill.
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A reliquary holding
one of Mary Magdalene's fingers in the crypt of the
basilica. Photo courtesy of M.
Zhang. | | It was at about this time that what was claimed to be the
body of James the Apostle was found in Compostela, northern Spain. This
discovery started one of the longest running tours or pilgrimages in the
world and established Santiago as the third main site for pilgrims after
the Holy Land and Rome. A simple wooden church was built on the site where
the Apostle’s remains were uncovered, later replaced by a grander stone
building. The site grew swiftly in fame. And the craze for holy relics was
on.
Relic crazy
The mania for bones, hair and nails swept through
Christian Europe, each bishop wishing to create his own pilgrim attraction
to gain more importance, prestige—and funds—for his diocese. More
than 1,000 miles away from Santiago, the abbot of Vézelay’s own ambitious
dreams came true when, in around 882, a monk called Baudillon brought back
relics of Mary Magdalene from the south of France. Mary Magdalene was said
to have fled the Holy Land in a rudderless boat, landed miraculously in
the Camargue near Arles, converted the locals, and believed to have died
in what we now call St. Maximin.
By 1058 the Pope of the day had confirmed the relics’
authenticity and thus the abbey’s reputation was assured. By the end of
the 11th century growing numbers of pilgrims were crowding the abbey to
see the tomb of the saint. "All France," wrote the abbey’s most famous
monk, Hugh of Poitiers, "seems to go to the solemnities of the Magdalen."
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The Santiago Tour
Starting from Vézelay there are two distinct
branches. One passes south-west through the book town of La
Charité-sur-Loire, then goes on westward to the unusual
cathedral town of Bourges—a UNESCO World Heritage site for its
unique wetland within the city—Déols and Châteauroux. The
other branch goes further south through the busy city of
Nevers before continuing southwest to St. Amand-Montrond and
La Châtre. The two routes join in the
village of Gargilesse and continue through the foothills of
the Limousin, over the hills and valleys of the Périgord and
the plains of Aquitaine and the Landes. This route joins
two other major routes from Tours and le Puy-en-Velay near
Ostabat. The full route from Vézelay to Santiago is 1,056
miles. | | Housing such prestigious relics, Vézelay was a natural
choice to become one of the four main starting points in France for the
pilgrimage to Santiago in Compostela. The abbey’s name was by then
indissociable from Mary Magdalene’s.
Blood in the basilica
Pilgrimages were big business (as Paul Lewis has pointed
out in
a previous issue), not only for the church, but also for local taverns
and hostelries, as not all pilgrims could be fed by the abbeys. To give
you an idea of the numbers involved, the collegiate church of Roncesvalles
in Navarre was trying to feed up to 100,000 visitors a year at the end of
the 12th century. Vézelay’s size and sphere of influence spread along with
its newfound prestige and in 1096 Abbot Artaud decided that the abbey
needed a new basilica.
The townsfolk and peasants were not as thrilled with
this development as you might think, however. Even less so when they were
asked to pay for the construction through crippling taxes—they rose up and
murdered the abbot. The basilica was also ill-fated and the original nave
was entirely destroyed by fire in 1120.
The next abbot, a certain Renaud de Semur was made of
tougher stuff and set about re-establishing the abbey, building another
basilica, and adding an abbey chateau (he later went on to become
Archbishop of Lyon). Although the new Romanesque narthex has not survived
and the choir burnt down, we can see today the first major Gothic choir
that was designed to replace it.
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From Darkness to Light
The basilica in Vézelay is a rare example of
Romanesque architecture combined with Gothic. The
nave and the narthex are typical of the Romanesque style in
that the geometric forms of circles and triangles
predominate, there are solid walls and relatively
plain columns supporting the simplest type of vaults—that
is, barrel vaults, like tunnels, bearing the weight of 40 tons of
stone. Natural light is used sparingly, drawing the faithful
toward the choir, yet the windows are larger and higher than those
in any other church of the period.
And the choir is startlingly different to anything
seen before its construction—a later addition seemingly
made of light and stone, with its elegant ribbed vaults and split
arches soaring up. The choir is one of the first examples of
Gothic architecture—completed before the basilica
in St. Denis or the cathedral of Sens, and a total departure
from the solid earthy style of Romanesque constructions. Here the
light lifts you as you draw near and you cannot help but
feel wonder—if nothing else at the sheer skill of
those early builders who managed this feat of engineering
hundreds of years ago.
The decoration of the columns, the typanum are
worth your attention as well as the magnificent structure. If you
are in this corner of France you should visit Vézelay for all this,
not just the relics in the crypt that inspired its
story. |
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The Owl
Turns One! Our New Photo Contest.
The Owl celebrates its first birthday! We
journeyed to a number of fabulous countries together during the last
12 months, from Italy to France, Great Britain, Greece, Turkey, and
even China. We traveled in the riveting company of Lord Byron,
Claude Monet and Antonio Canaletto, to mention just a few.
Join in the celebration! Select a photo of a
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in in Europe, add a short commentary to let us know where it was
taken, and e-mail it in jpeg format to: theowl@agorapublishinggroup.com.
Should you win the contest, we’ll publish your
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travel magazine, International Living, for two years, and
send a complimentary copy of our anthology of the masterpieces of
ancient literature, The Essential Classics.
Photos are accepted until the end of August. The
winner will be selected in September.
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